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What "white-balance" has least light blockage?

 
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"Walter Dnes

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Since: Aug 23, 2005
Posts: 37



(Msg. 1) Posted: Mon Aug 28, 2006 7:55 am
Post subject: What "white-balance" has least light blockage?
Archived from groups: rec>photo>digital (more info?)

Another low-light photography question... I assume that one setting of
white-balance (sunny day, cloudy day, tungsten light, flourescent light,
etc) attempts to collect all available light; and that other settings
result from reducing one or more portions of the visible spectrum. Is
that assumption correct? Does "Cool" versus "Warm" setting make any
difference?

And is there any setting that is generally the best light-collection,
or does it vary greatly amongst different camera models? For low-light
shooting, I prefer correcting colour balance after the fact, versus not
getting all available light.

--
Walter Dnes; my email address is *ALMOST* like wzaltdnes DeleteThis @waltdnes.org
Delete the "z" to get my real address. If that gets blocked, follow
the instructions at the end of the 550 message.

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Adrian Boliston

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Since: Apr 14, 2006
Posts: 180



(Msg. 2) Posted: Mon Aug 28, 2006 8:55 am
Post subject: Re: What "white-balance" has least light blockage? [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)

"Walter Dnes (delete the 'z' to get my real address)"
<wzaltdnes DeleteThis @waltdnes.org> wrote in message
news:44f2c8dc$0$9832$c3e8da3@news.astraweb.com...

> Another low-light photography question... I assume that one setting of
> white-balance (sunny day, cloudy day, tungsten light, flourescent light,
> etc) attempts to collect all available light; and that other settings
> result from reducing one or more portions of the visible spectrum. Is
> that assumption correct? Does "Cool" versus "Warm" setting make any
> difference?
>
> And is there any setting that is generally the best light-collection,
> or does it vary greatly amongst different camera models? For low-light
> shooting, I prefer correcting colour balance after the fact, versus not
> getting all available light.

If you are shooting raw the WB can be adjusted in the raw converter, so the
WB setting on the actual camera should not make much difference.

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Bart van der Wolf

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Since: Nov 01, 2005
Posts: 329



(Msg. 3) Posted: Mon Aug 28, 2006 12:55 pm
Post subject: Re: What "white-balance" has least light blockage? [Login to view extended thread Info.]
Archived from groups: per prev. post (more info?)

"Walter Dnes (delete the 'z' to get my real address)"
<wzaltdnes RemoveThis @waltdnes.org> wrote in message
news:44f2c8dc$0$9832$c3e8da3@news.astraweb.com...
> Another low-light photography question... I assume that one setting
> of white-balance (sunny day, cloudy day, tungsten light, flourescent
> light, etc) attempts to collect all available light;

Correct, in the sense that they all use all the light that the sensor
capured.

> and that other settings result from reducing one or more portions of
> the visible spectrum. Is that assumption correct?

Not correct. The white balancing is a postprocessing operation, so
with appropriate software you can do the same after-the-fact. That
works best when shooting Raw images.

> Does "Cool" versus "Warm" setting make any difference?

Only on camera JPEGs (and thumbnails), and as a tag in the file data
which records the default setting for preview.

> And is there any setting that is generally the best
> light-collection,
> or does it vary greatly amongst different camera models?

For the best file quality, you need to use lens filters to bring your
results closer to how you want the result to look. That can generally
require longer exposure times, but that also gives lower noise
results.

--
Bart
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