[BnH] wrote:
> "Progressiveabsolution" <progressiveabsolution.RemoveThis@yahoo.com> wrote in message
> news:1151616527.408674.284580@b68g2000cwa.googlegroups.com...
>
> > Question 1 is: Why are high end lenses from the 35mm world needed to
> > produce results comparable to the digital glass used for the Olympus
> > 4/3 cameras???
>
> <--- not really. Olympus 2x crop TRICKS you thinking that you can get SHARP
> result from their entry level lenses.
> well .. its not. ie .. my 14-45 glass said to have 3.5-5.6 aperture , while
> in the 35mm world .. the FoV is 7-11.2 ... which basically most lens max
> performance.
> if you see the output from it, it is comparable to Canon 17-40 L glass [-
> the distortion] which cost almost twice more.
>
> If you want, try grabbing a FF dslr [== Canon 1Ds Mk II] and use the 17-40 L
> glass on it.
> crop it to E-1 / E-300 FoV and see which ones is sharper.
>
>
> > Question 2 is: What is considered "high end" glass when it comes to
> > comparing to the Olympus digital lenses? In other words, what manual
> > lenses from any manufacturer are able to equal or even outperform the
> > Olympus digital ones? Are there any manual lenses that can outperform
> > the digital lenses?
>
> Many.
> Leica, Zeiss, some Nikkor can easily outperform Oly ZD lenses.
> BUT a friend of mine who uses the 35-100 / 2.0 ZD [on E-330] and the 70-200
> f/2.8 L IS [on 1Ds Mk II] swore the Olympus is much sharper.
> Which is true as the FoV of the 35-100 /2.0 on a Oly body is like a 70-200
> f/4 with more light coming in
... the wonder of Olympus system.
>
> =bob=
I cannot help but laugh that his 35-100 glass is sharper on the E330
than his 70-200 is on the 1DSMKII:))! I do not at all think it is
impossible. I have posed this topic because of the mixed
reviews/statements that many have posed about using manual lens glass
on the Olympus bodies vs. the digital lenses made for them. I have not
seen enough opinions or feedback so I wanted to get some more since I
have the E1 on the way and am looking into the manual lens use on this
body along with the 11-22mm for a wide angle lens (unless major
correction can be done to a fish-eye lens to make the image look
uniform, it cannot work on the 4/3 body)...and for wide angle work, you
can still get a 20mm lens from the manual world that will not produce
the fish-eye look and still be relatively wide enough lens for overall
useage. I would love to see a high end 10mm lens designed for the 4/3
body. I can understand the zoom concept since all the manufacturers
seem to have to have one for the wide angle part on digital cameras,
but it would be nice to see a trend towards the making of prime lenses
for these cameras.
You raised a very important point that I have not read anywhere=FOV on
digital Zuiko lenses=2X which makes it obvious why the digital lenses
would be as good as they are since they are operating already in stop
down mode (for 35mm world) which is what most zoom lenses like to do to
have best results.
I think a lot of people that have claimed the manual lenses are not as
good as the digital or need to have so much resolution in order to
compare to the digital ones of the Olympus lineup have not stopped the
lens down enough and tend to shoot at/or close to wide open when in
fact Olympus themselves say that for users of an OM adapter, you should
stop the lens down a lot. From a Luminous Landscape review: "The
instruction sheet included with the OM adapter listed recommended
apertures for these lenses when used on 4/3 bodies. Basically, they
recommend working in a range from one stop under maximum aperture to
F/8 or F/11." Funny the reviewer didn't follow Olympus's instructions
when he made a comparison between an OM lens, Zeiss lens, and the 14-54
digital;)...
Thanks for the replies and I look forward to trying out some manual
lenses of all sorts with the Olympus E1 coming tomorrow!...not sure if
the adapter for the manual lenses will be here, though (sad face).
>> Stay informed about: Olympus E1/E300/etc. and use of manual lenses