On Wed, 08 Aug 2007 00:30:09 +0100, rainandsnow
wrote:
>A good digital stereo sound recorder costs a few hundred pounds. I'd
>like to have one. I'd also need a new digital camera - so wondered if I
>could kill two birds with one stone:
>
>Is there a digital camera, preferable compact, capable of quality stereo
>sound recordings of over an hour??
The Canon Powershot S3 IS and S5 IS (both currently available, but the S3 is
getting hard to find, for $200 less than the S5), they can record stereo sound
for up to 2 hours at a time with selectable 11, 22, or 44 kHz sampling rates. If
you have a large SD card you can fill it with as many 2 hour audio recordings as
you need. If I'm not mistaken these and the earlier Powershot S1 and S2 cameras
are the only digital still-frame cameras that can record sound clips and audio
for movies in stereo.
Be aware though that some of these cameras have a very soft 8kHz whine showing
up in one of the channels when the recording level is set to the 2 highest
settings, the highest gain. It seems to vary from camera to camera with most of
them being nearly, but not completely, free of this problem. This whine
disappears when recording at lower mic recording levels or when there's enough
sound to cause the mic to automatically lower its own gain to compensate for
louder noises. Under normal recording conditions most everyone doesn't even know
this problem exists. The danger in even mentioning this is that they'll now go
listen for it. They've never even heard it in their sound tracks if not told
about it. It was only found by some audiophiles that were upset when their
cameras happened to be ones with this noise at slightly higher levels. It is
suspected that it comes from some internal mechanism in the camera instead of
the audio circuitry because it shows up stronger only on one mic nearer the
unknown source.
The reason I mention this is in case you are needing the absolute best in audio
recording, where an almost imperceptible background noise appearing at the
quietest times would bother you. To tell the truth it is much quieter than the
normal hiss in all high-quality magnetic tape recordings. When I record bird
songs at a distance even this is enough to make the nearly undetectable 8kHz
noise disappear. I can only detect it in my camera if I make an audio recording
in an absolutely quiet room with the microphone gain on the highest setting and
at 44kHz sampling rate, then played back at a high volume on the computer. It
gets more quiet at 22kHz and is completely gone at 11kHz sampling rates. To get
anything better for audio recording you'll have to use something other than a
digital camera for these purposes. There's probably just too much going on
inside of a digital camera to isolate the circuitry enough for pristine audio
recording capabilities. On the plus side for audiophiles, the noise is such a
narrow bandwidth, so low in amplitude, and only strong in one channel that it is
easy to filter out with any decent WAV editing software that allows you to make
your own notch-filters. I made one for Cool Edit that cleans any important
recordings to perfect conditions. I wish they never told me about it because I
wouldn't know about it otherwise. Now that I do I take the extra step to remove
it if it's important.
>> Stay informed about: Digital camera with stereo sound recording